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Showing posts with label Layout. Show all posts
Showing posts with label Layout. Show all posts

Sunday, April 1, 2012

Volume 2 Cover Progress

I think I've mentioned that my favorite part of self-publishing is total creative control. The Pathos of Rowan Jun was a real challenge. I had to draft, revise, edit, proofread, format, illustrate, make the cover, write blurbs, and everything else for the book, plus make adjustments for a total of three versions (Paperback, Kindle, Smashwords). And that's not even mentioning the marketing process, which I'm still fine-tuning.

I posted progression artwork for The Pathos of Rowan Jun here, so I figured it would be a good idea to do the same for Silver Empress. It's interesting to see how the concept grew from scribble to final concept. (I'll work this final concept into the finished cover. It's nowhere near ready yet!)

The Scribble:

Art informing writing content... Cluttered composition. Changed my mind at this time about releasing a short story collection. Instead, the two background characters will get their own short story book, and Silver and Briescha (foreground) headline volume 2. Smoother design possibilities, smoother story flow.
From the time when Silver Empress was going to be a short story collection.  Not anymore!
The Re-Scribble:

The decision to narrow the focus of the book to this MAJOR plot swivel made my cover characters obvious. Fiddled in Manga Studio with existing sketches and my trusty tablet to produce a new composition. Focused on the faces and worked out some loose angles and things. Very rough design...

Silver, left. Briescha, right. Foreground: Scribble hand  and sword! :)
The Final Drawing and Base Colors:

I realize that I forgot to save a JPEG of just the basic finished black and white drawing. Oh, well. Here's the finished drawing with some base colors, a texture on Briescha's skin, and no background. Silver is all base-gray and solid black at this point. She'll have mirrored skin, God-willing, when I get finished with her. (Still not happy with her mouth shape...) I've overlaid another texture on Briescha's skin to soften the shadows, but there's sooo much left to do...

Final V2 line art with base colors, some shading

As always, the images contained in this blog post are copyright Tamara Henson, Tamara Henson Studios and may not be used without my express written consent.  I welcome any feedback and constructive criticism you can provide on this design, either via comments below or direct messaging on FB or dA. 

Cuddles,

Tamara



Wednesday, March 14, 2012

News, and SMASHWORDS!

Things happen... 

1. My paperback order arrived with unforeseen print errors that had nothing to do with my uploaded files. The print company is correcting the issue and reprinting my order now. That means a delay for anyone who pre-ordered the book. I will supplement your pretend-despair with digital hugs. *hugs* They're working as quickly as they can to remedy the situation. Two more weeks, maybe...

2. I won an award for my cover design! This warrants re-mentioning to improve my mood after hauling a big box full of patented Rowan Jun doorstops and table-levelers into my house. (Can't in good conscience sell a defective copy...) 

3. After some tedious re-formatting and uploading, I've made The Pathos of Rowan Jun available on Smashwords! There should be tons of new formats to select beyond just Kindle. The book won't have full distribution to online retailers until it goes through review, but you can view and buy it directly here:


(Formats include EPUB, PDF, and tons more...)

Cuddles and even more hugs!

Tamara

Sunday, March 4, 2012

Self-Publishing Links and Advice, Vol. 2


I just posted this advice on reddit for the following question: Does self-publishing hurt your mainstream publishing chances? Thought I'd share it here, as it may be helpful...

Both The Passive Voice blog (http://www.thepassivevoice.com/) and Joe Konrath (http://jakonrath.blogspot.com/) are strong advocates for why we should NOT go the traditional publishing route.

This guy's a treasure, too: http://www.thebookdesigner.com/ He gives practical advice for do-it-yourself designing, and also resources for paying others for services.

All three make valid points supporting self-publishing as a means in itself, not just a springboard to traditional publishing. From my experience, I enjoyed more creative control by self publishing. Since specialty "niche" nonfiction can rack up quite a respectable following, you may stand a good chance with self-pubbing.

I encourage you to read up on the above sites and make the decision yourself. If you expect to be a multi-millionaire by month's end, you will set yourself up for failure. If you treat it like a business, expecting overhead and a steady break-even point, AND if your book finds a market, you'll not be disappointed with the results.

Good luck!

Wednesday, February 8, 2012

NOVEL AND LOGO UPDATES!

I'm in the final stages of publication, but these may be the most crucial. I've completed a lot of graphic work these past two days-- I finished and uploaded both versions of the book covers and redesigned my business logo.

Did I mention a shiny new Tamara Henson Studios logo! There's a graytone version with no shading, a simpler "shiny" one like below with no background, and the full retinal assault of the final logo design as you see it here:




Having completed, uploaded, accurately formatted paperback AND eBook covers is almost worth this headache. Almst... Now, onward to Tylenol, and the world map! At this rate, I hesitate to boldly state that I'm on schedule... (*whispers* But I am...)

Whelp... announcements aren't gettin' this thing finished. Off I go!

Cuddles,

Tamara

Wednesday, September 14, 2011

NOVEL: THE HOME STRETCH

At almost 52,000 words, my novel is in the final lap toward completion. I had stalled as of my last post, but gained momentum when I just sat down and started writing. So here I am, giving a quick update to say that I'm doin' the writing I avoided for so long.

I could probably crank out one of these books in a couple months if the silly call of the real world would allow such a pace. However, I'll settle for the stumbling blocks that became platforms to learning and growing as both a writer and a person.

I also settled for a loose mapping-out of the remaining events of the book for tonight's progress instead of my usual organic writing method that may not have tied up the loose ends as I would have liked. The result is a concise action-climax and resolution map that will ensure I don't forget the major events. I also managed (or realized) a few surprising tie-ins with the next novel and made more specific notes in my trusty Notes doc. It's like the story decided its course years ago, and I just had to get my butt in gear to record it, with an "I'll be darned" kinda reaction from me.

I just realized that most of the above was disjointed. As I've learned a lot about my brain's particulars regarding my creative process, I'd hate to do it a disservice by being unclear. Consider the following for clarification.

So here's my novel-writing process, in varied POV, for retrospect and fine-tuning, as a compulsive list:

1. Format Volume Word Doc and Create Notes Word Doc.

2. Find and combine all the scattered notes, post-its, napkins, electronic docs, and other stuff into one jumbled mess and sort to make a story. Perhaps write it down longhand in the notebook assigned to such tasks.

3. Compose loose story outline in Volume Word Doc, as, you guessed it, a LIST of events!

4. Type Part and Chapter Headings into Volume Word Doc, separating outline list into logical chunks. Make at least a short note on what will happen in each chapter, if outline isn't specific.

5. Type a few starter Character Names and short descriptions into Notes Doc under a heading by the same name. Also make categories for World Details and Customs, etc, to help keep things in line. All uncategorized notes get dumped at the end of the Notes Doc for sorting or use later.

6. Decide on a starting point. Don't dwell. "Decide" is the operative word. Your protagonist could be staring at a freakin' flower for 10 minutes before you realize he should be doing something. But at least you're writing! Worry about Hitchcock's axiom in the editing process. (...the one about a good story being life with the boring parts removed, I think.)

7. Start writing! Keep a notebook and your Notes Doc open. If you get an itch of an idea that won't happen for a hundred pages, make a note of it. If something from three books down the line occurs to you, type it in. The point here is that, short of true writer's block, you should write when you sit down to write. Just don't let new or different ideas stall you out, or you'll never finish. Redirect that nagging or fleeting idea to a note and get back to what you intended to do in the first place. Flesh out big action or complex scenes as mini-outlines. Save often.

8. Note new character names and relationships in your Notes doc, as well as any customs, mannerisms, world details or other crap you may need to recall later. Nothing grinds writing to a halt like filtering through a hundred pages of writing for a tiny detail that you NEEEEEED before you can finish a sentence. If you can't come up with a new character name on the spot, type a long blank ________ or brackets and a description [So-and-so's sister], and come back to it in the editing process. Save often.

9. Make notes of plot developments either at the bottom of your Volume Word Doc or in a category of your Notes Doc. I keep a lot of plot notes and ideas at the bottom of the actual novel doc because as I write about the event, I cut and paste it into the Notes Doc. It's like checking tasks off a checklist. Save often.

10. Write a book that you would want to read. Don't be afraid of your audience, because you're the only audience right now. Chances are if YOU'RE wondering what will happen next and can't put your own book down, someone else will feel the same way. I feel like such a dork when I think "Wonder what'll happen next?" only to realize that I...have to...write it first. And... save often!

Hmmm... Nice to know the writing style that works for me evolved into a 10-Step-Process where I do most of the steps simultaneously and with little stress. How did I ever finish that whopper of a first novel without it??? (It was 160K words and has since been dismantled for a major rewrite later.) Oh, wait! This process evolved from that drudgery. As I said, stepping stones from stumbling blocks, or something.

Cuddles,
Tamara

Monday, February 21, 2011

Phase Two Countdown: 30!

NOVEL: I had written 28,598 words on my novel as of my last post. Now, I've got 30,728 words. That's 2,130 words just today. Took me a while, but I'm finally at a stopping point for the day.

COMICS: Two pages completely penciled, minus lettering, which will be digital. Two more pages that are in the 6X9 detailed "thumbnail" stage, ready to be scanned, blown up, and transferred to industry standard 10X15 paper for full penciling and inking.


PROGRESS: Very therapeutic to just sit and draw, letting that right brain function to link pieces together. It's been so long since I've had the chance. And I'm doing a relatively new art style! I still have the swimmy art-head from focusing on it so long. It's hard to believe it's almost 1am!


MEMORIES: I wish I could find the little comic strips and full-pagers I made in grade school. I had some comic about a mermaid and her pet Lock Ness monster. Very cartoony and stylized. I drew it on notebook paper and quit because I couldn't draw them both accurately over and over.


And on all the subject separators in my notebooks, I used to draw little worlds with cutaway ceilings and walls, like a mermaid world with mazes of grottos that served as beauty parlors, jobs, stores, restaurants and homes. Then I'd draw the mini mermaids going about their daily business. Or I'd draw fairies living in a tree community, with flowers and leaves and holes in the wood as homes. They were more like maps than art, crossections of worlds. I coulda lived in those places.


That is how imagination works. It's transportative. And what's weird is that I haven't really changed a bit in that respect. I still create worlds in which I would want to live. Sometimes they're maps. Sometimes they're words. Sometimes they're drawings or notes scribbled on scraps of paper. It's wonderful and dynamic. When I was little, I just assumed that everyone created worlds. Am I right?