Sunday, January 22, 2012
NOVEL DEADLINE!
Creative things are dragging along. I'm not sleeping enough, or eating right, or working on my book enough. All three may be related, I realized. Trying to fix that this week with a new deadline: By mid-February, I plan on having volume one revised, polished and uploaded to Kindle, at least. Here's my to-do list to make that happen:
1. Revise and Polish manuscript. (15 chapters left!)
2. Finish, refine cover for both eBook and regular book.
3. Format for Kindle and regular book.
4. Order ISBN and UPC codes.
5. Upload, submit and approve final prints!
6. Repeat for every other platform... (after initial deadline!)
7. Dive into next book and short story edit. (after initial deadline!)
It seems like a lot, but once I'm past number one, it should be mostly technical instead of creative-technical. That means, in my mind, it'll be simply time-consuming, not soul-consuming! :D Operation Get-Finished-So-I-Can-Sleep-Again begins tonight!
Cuddles,
Tamara
Labels:
Cover Art,
EDITING,
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Procrastination,
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Tuesday, January 3, 2012
NOVEL: REVISION IS LIKE PAINTING
After letting the book rest for a while, I've started the content and line revision. Line by line, chapter by chapter, tedious task by tedious task-- it is exactly like starting all over. Questioning every word and all dialogue is the one thing that makes a book better if the story's already decent. Especially if you can do it without making the sentences stiff. Writing is similar to art in this way. If you paint holding your brush too tightly, the brushstrokes will look stiff and overworked. Keeping a loose grip on the brush (a trained skill) is key to making a dynamic painting. In writing, if you make every sentence technically perfect (holding the brush too tightly), you strangle the life out of the words and end up with immobile, stuffy, uninteresting, overly verbose prose that flaunts skills at the mere level of anal-retentive proofreading and far below dynamic editing. Rant, complete.
And after I've finished the revision, I'll attempt a final polish. If my head hasn't exploded by then. To calm myself, I did a five-minute cover mock-up in MS Paint with the unfinished cover art and a haphazard tagline:
Yep. That makes me feel better. Nothing like the promise of a book cover (a much better one than this!) when I've finished!
I've hired a good line-editor who I promised would not have to do story revision. And because of my previous rant, he knows I just want a basic editing of lines and final proofreading. And the pointing out of any glaring problems he may encounter, if I haven't resolved them by then. (If something annoys him so that he can't edit, he is to report it! :D)
So that's where I am. Wonder if this'll be done by the end of the month? That would be promising!
ON MY KINDLE "MARKET RESEARCH":
I don't want to self-publish with glaring spelling errors and confusing sentence structure. Simple is best, right? So I downloaded a few freebies on my shiny new Kindle Touch (I'm behind the times. Back off!) to see what the free market offered. The potential of a decent story was often drowned out by the lack of much common-sense editing... sense. I understand that people who view themselves as visionaries can't be bothered with details, but those same visionaries should hire someone who can be bothered. I know it's not all completely amateur stuff, for crying out loud! Luckily, I don't view myself as a visionary. I didn't, after all, invent the eBook or even the paper book. I'm just a storyteller and artist, a creative person who wants to get her stories out there...
But this is a business, right? I'm doing a job, on which consumers may be willing to spend money. To consume my product, if you will. And consumers want to spend their money on products that deliver. You don't buy a cell phone that doesn't receive calls. So you shouldn't have to buy a book whose line editing or lack thereof detracts from the reading experience. A book, by definition, should be readable. Now I cut the free books some slack. They are not purchased with money. But people spend or waste TIME on them, which is far more precious. So these free books should be handled with the same product-pride that the paid books (should) offer. Now, that said, on to the paid books...
My only consistent gripes with the paid self-pub books is that 1) they all seem to be done in first person POV and my book is not and 2) the writing often has a self-conscious quality, a "See Ma? I can write well!" wordiness that distracts me from the story. As in, the way I wrote that novel back in high school... Also, 3) Barring the presence of the ever-popular "young man in a strange world" theme I've incorporated, I haven't found anything that hits the same nerve I wanna hit. I'll keep researching, though. And stop picking it apart for now!
Like I said, I'm not a visionary. I'm a storyteller and artist. I'll stop worrying about them for now and try to make something I love into something that is better than it is right now.
Love and cuddles,
Tamara
And after I've finished the revision, I'll attempt a final polish. If my head hasn't exploded by then. To calm myself, I did a five-minute cover mock-up in MS Paint with the unfinished cover art and a haphazard tagline:
![]() |
Looks like something out of the seventies! :) |
Yep. That makes me feel better. Nothing like the promise of a book cover (a much better one than this!) when I've finished!
I've hired a good line-editor who I promised would not have to do story revision. And because of my previous rant, he knows I just want a basic editing of lines and final proofreading. And the pointing out of any glaring problems he may encounter, if I haven't resolved them by then. (If something annoys him so that he can't edit, he is to report it! :D)
So that's where I am. Wonder if this'll be done by the end of the month? That would be promising!
ON MY KINDLE "MARKET RESEARCH":
I don't want to self-publish with glaring spelling errors and confusing sentence structure. Simple is best, right? So I downloaded a few freebies on my shiny new Kindle Touch (I'm behind the times. Back off!) to see what the free market offered. The potential of a decent story was often drowned out by the lack of much common-sense editing... sense. I understand that people who view themselves as visionaries can't be bothered with details, but those same visionaries should hire someone who can be bothered. I know it's not all completely amateur stuff, for crying out loud! Luckily, I don't view myself as a visionary. I didn't, after all, invent the eBook or even the paper book. I'm just a storyteller and artist, a creative person who wants to get her stories out there...
But this is a business, right? I'm doing a job, on which consumers may be willing to spend money. To consume my product, if you will. And consumers want to spend their money on products that deliver. You don't buy a cell phone that doesn't receive calls. So you shouldn't have to buy a book whose line editing or lack thereof detracts from the reading experience. A book, by definition, should be readable. Now I cut the free books some slack. They are not purchased with money. But people spend or waste TIME on them, which is far more precious. So these free books should be handled with the same product-pride that the paid books (should) offer. Now, that said, on to the paid books...
My only consistent gripes with the paid self-pub books is that 1) they all seem to be done in first person POV and my book is not and 2) the writing often has a self-conscious quality, a "See Ma? I can write well!" wordiness that distracts me from the story. As in, the way I wrote that novel back in high school... Also, 3) Barring the presence of the ever-popular "young man in a strange world" theme I've incorporated, I haven't found anything that hits the same nerve I wanna hit. I'll keep researching, though. And stop picking it apart for now!
Like I said, I'm not a visionary. I'm a storyteller and artist. I'll stop worrying about them for now and try to make something I love into something that is better than it is right now.
Love and cuddles,
Tamara
Labels:
EDITING,
Novel,
Novelist,
PROCESS,
REVISION,
THIRD DRAFT,
What Makes A Good Story,
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Writing
Wednesday, December 21, 2011
NOVEL: In-Progress Cover
In my "let it rest" period before doing a third draft of the novel, I've started the cover art. I still have a lot of work to do on Rowan's portrait before I'm finished, but this is a good in-progress shot! I thank my friends for all the feedback they graciously provided. I'm no digital draftsman, but it's not as bad as it could be. :)
For a sketch-to-current picture progression, and to follow more frequent Tamara Henson Studios updates, see my THS Facebook page: http://www.facebook.com/pages/Tamara-Henson-Studios/151917568249729
Cuddles,
Tamara
For a sketch-to-current picture progression, and to follow more frequent Tamara Henson Studios updates, see my THS Facebook page: http://www.facebook.com/pages/Tamara-Henson-Studios/151917568249729
Cuddles,
Tamara
Labels:
Cover Art,
Imagination,
Novel,
Novelist,
PROCESS
Sunday, December 11, 2011
180 DEGREES
Today, I celebrated the completion of my second draft of The Pathos of Rowan Jun. I ate a Frosty from Wendy's. :) And I glanced back through this blog, seeing my bumps and snares, a few witty turns of phrase, and a whole lot of struggling to get somewhere.
It all started with my unexpected unemployment, when I finally thought my life was on the right track. I was going to be a teacher and mold young minds! I would have holidays, summers and flood/snow days to work on my novels. And then that fell through. My ideal teaching job opened up, I subbed in it for a term and applied, but that wasn't meant to be either. And the crappy customer service job I left is exactly where I ended up. Yet I'm okay with that. I've realized some other things that are better left between God and me. And that's okay, too.
In just two years, I have done a complete 180 on many opinions I held about life, careers, college, and other things that are important. I hoped that a death in the family wouldn't cause such a falling out, but it did. What a nightmare that was! I thought college was important, and while I cherish the experiences I forged there, it only resulted in a stagnant, staggering debt that I've carried for years. I thought I would never be able to lose the weight that threatens to kill me, and I'm more focused than ever, dropping pounds right and left with the RIGHT mindset. I thought I'd never get married, that I'd either die long before it happened or no one would care enough to marry me. And on November 11, I married the man I love.
I thought having that stable, logical, safe, obvious, comfy career was what I needed and should continually seek. Even though I didn't really want to. (I wanted the creative things!) But though I love teaching, I can't get a job locally and can't afford to move for just a one-year job guarantee. Then I thought having any job that would pay the bills would be good. And I now have that job. But it's just a Band-Aid on the real issue:
I have spent most of my life NOT doing what makes me happiest from all standpoints, particularly the career point! The creative things make me happy. Telling stories, making artwork, creating things with the talent born of hard work and the talents God gave me makes me happy. And at my lowest point, I wondered why everything was going wrong. And then, the Almighty slapped me on the forehead with the obvious answers:
Because I wasn't following the path set before me. I was walking the hardest, out of the way paths that didn't have my name on them at all. And God was having to let me learn things the hard way. My barrel-ahead attitude saves my mind from cracking, but shrouds my spiritual listening. I didn't know how to trust God to carry me when I'd walked so long my feet bled. God's encouraging me toward a leap of faith.
Why couldn't I keep a teaching job? Well, I started the teaching program because it was the logical path to move forward. I learned important art things I can use, but the rest of the program is essentially crap. But God let me finish the program and teach art for a year. I got to use that time to touch lives. And I got to see the worst in some people. My season there ended. Then I taught the last term at the other place, nearly a year later. Man, I had improved my methodology! I got to touch lives, and influence some very intelligent, creative minds. And I got to see the best in people, to heal my heart of the scars left by the last place. My three months there eclipsed my experiences at my first teaching job. And my season ended. I learned what I needed from the experience. Now it's time to move on.
Why can't I find a market for my creative work? Because I haven't finished, polished or marketed them! (God's forehead slap of No Kidding!) Guess what? If I don't build it, ain't nobody gonna come! So I created Tamara Henson Studios, bought a domain name, and created a website. After I cut back on the million dreamer's possibilities, I'm down to three: art, storytelling and dolls, with various sub-categories. Those are my focus areas. No commissions now, no three-ring-circus. Just the bare-bones of things I'd love to make a career in. And when I prayed, I felt at peace about it. No straining to make things work. No walking through mud uphill both ways. God's in it.
And step one of this new leap of faith is the self-publication of my novel. I laughed so hard when I read this blog entry from January of this year, back when I apparently planned to write in phases. Go ahead, I'll wait right here while you do:
Such pretty writing and clear justifications for an archaic system of the time-suck of subjective checks and balances! Compared to my last post's "Big Scary Thing", it's hilarious. I'm a converted woman, obviously, from that glaring example of egotistical swill to this world of infinite possibilities. The second draft flowed easily-- a full rewrite in a month and a half! (Oddly and ironically, thanks to 2011 NaNoWriMo!) The other things will come with practice.
The season I'm in now... it feels like Spring! So warm and inviting, so comforting, as bright as the kingdom of Heaven. Almost. The green down here doesn't seem quite the right shade! But that's another story for another time...
Cuddles,
Tamara
Labels:
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Tuesday, November 15, 2011
NaNoWriMo and THE BIG SCARY THING
I passed the 53K words mark on my "Edit Volume 1 Challenge" of NaNoWriMo. Technically, this means I "win". I blame it on passages in the not-as-horrible-as-I-thought rough draft that I was able to just tweak, copy and paste instead of rewrite in depth. I'm still a good 15K away from calling the story finished, and most of that will be full on retyping, re-envisioning and restructuring. That's no big deal, really. Just work. I already have it drafted, really poorly drafted, but drafted nonetheless!
Upon finishing this second draft, I'll dive into a back-burner drafting of Volume 3, plus a double front-burner drafting of Volume 2 and polish of Volume 1. Y'know... a light work load for me! ;)
WEBSITE NEWS:
The Tamara Henson Studios website is coming along nicely. I've gutted an already gut-light website and taken out all the commission stuff for now. I've streamlined the content so that I still have some art and graphic design portfolios. You can still email me if you want. There's still some aesthetic stuff I need to work out, as well as the store and cart options through Google.
When I'm finished, the site will focus on my Novels and Doll development. My ART section will have my currently-released characters and worlds from my stories. I'm hoping that the Ragdolls of the World (tm) brand and the Myth-Babies (tm) brand will fully launch in the next year for a related reason. I want all my copyrighted content to have a professional-looking, content-heavy home because of the big scary thing I'm doing as soon as I can.
It'll take a bit for my web designer Ryan to make all my updates live. His router gave up the ghost last week and we're a bit behind due to that. Any website design and content feedback you can provide over the next couple weeks will be invaluable and much appreciated! :)
THE BIG SCARY NOVEL THING:
And the big scary thing that I'm doing with the novel: Self-Publishing under Amazon. There will be an eBook and a paperback novel. I'll be doing cover art and design. This may be hard work and a risk, but my book isn't making any money just sitting here either, waiting on the potential graces of the traditional publishing time suck.
God-willing, I'll be publishing volume one VERY SOON!
Cuddles,
Tamara
Upon finishing this second draft, I'll dive into a back-burner drafting of Volume 3, plus a double front-burner drafting of Volume 2 and polish of Volume 1. Y'know... a light work load for me! ;)
WEBSITE NEWS:
The Tamara Henson Studios website is coming along nicely. I've gutted an already gut-light website and taken out all the commission stuff for now. I've streamlined the content so that I still have some art and graphic design portfolios. You can still email me if you want. There's still some aesthetic stuff I need to work out, as well as the store and cart options through Google.
When I'm finished, the site will focus on my Novels and Doll development. My ART section will have my currently-released characters and worlds from my stories. I'm hoping that the Ragdolls of the World (tm) brand and the Myth-Babies (tm) brand will fully launch in the next year for a related reason. I want all my copyrighted content to have a professional-looking, content-heavy home because of the big scary thing I'm doing as soon as I can.
It'll take a bit for my web designer Ryan to make all my updates live. His router gave up the ghost last week and we're a bit behind due to that. Any website design and content feedback you can provide over the next couple weeks will be invaluable and much appreciated! :)
THE BIG SCARY NOVEL THING:
And the big scary thing that I'm doing with the novel: Self-Publishing under Amazon. There will be an eBook and a paperback novel. I'll be doing cover art and design. This may be hard work and a risk, but my book isn't making any money just sitting here either, waiting on the potential graces of the traditional publishing time suck.
God-willing, I'll be publishing volume one VERY SOON!
Cuddles,
Tamara
Tuesday, November 1, 2011
NaNoWriMo 2011
I'm starting a new NaNoWriMo project today. My goal will be to make a (really) rough draft of Book 3, since I just drafted volume 1, and since volume 2 is already wrapped and ready for a full edit once I finish 1. I already had a loose outline of volume 3, which hasn't changed fundamentally since the new content for volume 1 emerged. I just made a few more notes to go with volume 1 and will be typing it up with the existing chapter one I had already completed. It'll give me the illusion of breaking out of the gate ahead, but I dunno if I'll have time to keep it up all month.
I have decided that with the small exception of wedding prep, a wedding and brief honeymoon, my November will be rather dull. I will be mostly alone all month, with the exception of the wedding week. So this month, I will try to finish the rough draft while simultaneously focusing on editing volume 1. If I spend a short time daily on each, I shouldn't have too much trouble keeping myself on task. I've put comics and illustrations on hold for the very creative purpose of diving into the content for a month. Let's see if I can avoid buckling...
I mean, I can win this NaNoWriMo thing, even if it kills me! Rawr!
Cuddles,
Tamara
Friday, October 21, 2011
VOLUME ONE, ROUGH DRAFT: COMPLETE!!!
The rough draft of Volume 1 is officially finished! I finished at 59, 026 words. I plan on celebrating with preliminary editing and organization of my notes. Tonight. Not now. Now, I eat breakfast. With any luck, I will be able to taste it. Thank you, Mr. Sinusy-Cold-Thing, for helping me to finish my book. :)
I've already completed a first read-through of everything up through page 174-ish, so I'm a step ahead there. The initial read-through with minimal editing is crucial to fixing the overall flaws before I fine tune anything. (Thank you for the basics of logic, Stephen King: On Writing!)
The last chapter and a half are a jumble of sketchy present-tense notetaking and straight third-person POV prose (hence ROUGH draft), but I think it'll edit out okay once I'm not relying on the Dayquil to get me through it. I go with the Moe Conn theatre adage "Done is good" in this case. The things I wanted to happen, happened, in some ways more abbreviated than others. In other ways, I'll have to cut and cut and cut. But getting the story out, start to finish, is a big deal for many writers. I work well under pressure, I suppose. It just took a few 1-3 week deadlines to make me get moving: Halloween planning, Wedding planning, dress making, NaNoWriMo, a head cold, sore throat, bleary eyes, new contact lenses, laundry, dishes, company coming, and a half-dozen other things. And instead of doing all the things above, I procrastinated today and finished the novel. :D I mean, I prioritized the completion of the novel so I could focus on those other things. Yeah. That's what I meant.
So, when I'm sick and I wake up two hours before my alarm goes off, I finish novels. Good to know!
Sighing in relief now!
Cuddles,
Tamara
I've already completed a first read-through of everything up through page 174-ish, so I'm a step ahead there. The initial read-through with minimal editing is crucial to fixing the overall flaws before I fine tune anything. (Thank you for the basics of logic, Stephen King: On Writing!)
The last chapter and a half are a jumble of sketchy present-tense notetaking and straight third-person POV prose (hence ROUGH draft), but I think it'll edit out okay once I'm not relying on the Dayquil to get me through it. I go with the Moe Conn theatre adage "Done is good" in this case. The things I wanted to happen, happened, in some ways more abbreviated than others. In other ways, I'll have to cut and cut and cut. But getting the story out, start to finish, is a big deal for many writers. I work well under pressure, I suppose. It just took a few 1-3 week deadlines to make me get moving: Halloween planning, Wedding planning, dress making, NaNoWriMo, a head cold, sore throat, bleary eyes, new contact lenses, laundry, dishes, company coming, and a half-dozen other things. And instead of doing all the things above, I procrastinated today and finished the novel. :D I mean, I prioritized the completion of the novel so I could focus on those other things. Yeah. That's what I meant.
So, when I'm sick and I wake up two hours before my alarm goes off, I finish novels. Good to know!
Sighing in relief now!
Cuddles,
Tamara
Labels:
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Monday, October 3, 2011
Editing Under Hormonal Influence: A Translation Guide
Since I can't type on my novel at work, even on breaks, I printed the whole thing (minus the unfinished ending) and took it with me, hoping I would find some break time moments to do editing. Well, I got into the teens last night, but at the cost of some formality. When I read my margin notes, I could see certain, ah, influences that skewed the use and wording of traditional editing terminology. Eventually, I had to take notes on my notes, so I would understand what I meant when I wasn't rampaging through the text. So here I provide a translation guide for myself and for all who get the crazies every now and then:
EDITING UNDER HORMONAL INFLUENCE: A TRANSLATION GUIDE
Show, Don't Tell = The mantra of the ages in prose. Not as prone to this one as I used to be. Which doesn't say much.
B.S. = Cut out this passage or word
Whiny turd = Tighten internal monologue or flashback, or Cut and reveal through dialogue and actions. Consider story relevance.
Emo brat = Character's emotions are over the top and unrealistic to experience or gender. Rein in closer to reality.
Philosophical B.S. (P.B.S.) = Preaching, or interjecting personal opinions, OR character has slipped into an unnecessary, wordy aside in an internal stage whisper that detracts from the action of the story. It's like he's in a flippin' spotlight and all the other characters have frozen in place. Listen to Hitchcock, for cryin' out loud! Life, with the boring parts taken out!
Meh! = Weak sentence structure or word choice, or both. Punctuation determines how bad it is.
Really?? = What idiot wrote this crap? Number of question marks indicate how bad it is. Also, "WTH?" and "Stupid junk".
Again?? = Repetitive overuse of a word or phrase, either in the whole book or just in a passage. Number of question marks indicates how bad it is.
Sucks = Maybe salvageable. Also: "rewrite" or "fix it".
Doesn't suck that bad = Tweak a bit, and leave it alone.
Trite = Trite.
There. A distinctively Tamara approach to harshness in editing. In addition to the occasional new paragraph symbol, word substitution and punctuation adjustment, this is what I use. In the overview hard copy phase, this is the general editing that I do. I don't do crazy rewriting of every line because I'm writing longhand on a hard copy. But it does help me to see where a reader would get snagged and flag the passage for work later. So it works perfectly for me! :)
Cuddles,
Tamara
EDITING UNDER HORMONAL INFLUENCE: A TRANSLATION GUIDE
Show, Don't Tell = The mantra of the ages in prose. Not as prone to this one as I used to be. Which doesn't say much.
B.S. = Cut out this passage or word
Whiny turd = Tighten internal monologue or flashback, or Cut and reveal through dialogue and actions. Consider story relevance.
Emo brat = Character's emotions are over the top and unrealistic to experience or gender. Rein in closer to reality.
Philosophical B.S. (P.B.S.) = Preaching, or interjecting personal opinions, OR character has slipped into an unnecessary, wordy aside in an internal stage whisper that detracts from the action of the story. It's like he's in a flippin' spotlight and all the other characters have frozen in place. Listen to Hitchcock, for cryin' out loud! Life, with the boring parts taken out!
Meh! = Weak sentence structure or word choice, or both. Punctuation determines how bad it is.
Really?? = What idiot wrote this crap? Number of question marks indicate how bad it is. Also, "WTH?" and "Stupid junk".
Again?? = Repetitive overuse of a word or phrase, either in the whole book or just in a passage. Number of question marks indicates how bad it is.
Sucks = Maybe salvageable. Also: "rewrite" or "fix it".
Doesn't suck that bad = Tweak a bit, and leave it alone.
Trite = Trite.
There. A distinctively Tamara approach to harshness in editing. In addition to the occasional new paragraph symbol, word substitution and punctuation adjustment, this is what I use. In the overview hard copy phase, this is the general editing that I do. I don't do crazy rewriting of every line because I'm writing longhand on a hard copy. But it does help me to see where a reader would get snagged and flag the passage for work later. So it works perfectly for me! :)
Cuddles,
Tamara
Sunday, September 25, 2011
God and Creatives: Procrastination Moment
I replied to a friend's question with the following and thought I'd share it here as well. It's a simple facet of a very complex gem, but it's part of what drives me to create! I believe that since God made us in His image, He also made us want to create things in the imperfect imitation of God.
"He's the best artist and storyteller! Authors mimic God imperfectly when they create worlds and characters, and artists, no matter how blessed with talent, fail to copy the beauty of the world He created! He paints a sunset more beautifully than anyone and smiles when we strive to make ours similar. I believe that with each talent God gives us, he expects us to use it to remind others of His power and glory. I'm proud to be a creative person, because not only did God give me the talent, He gave me the permission, ambition, and inspiration to use it to glorify Him!"
"He's the best artist and storyteller! Authors mimic God imperfectly when they create worlds and characters, and artists, no matter how blessed with talent, fail to copy the beauty of the world He created! He paints a sunset more beautifully than anyone and smiles when we strive to make ours similar. I believe that with each talent God gives us, he expects us to use it to remind others of His power and glory. I'm proud to be a creative person, because not only did God give me the talent, He gave me the permission, ambition, and inspiration to use it to glorify Him!"
Wednesday, September 14, 2011
NOVEL: THE HOME STRETCH
At almost 52,000 words, my novel is in the final lap toward completion. I had stalled as of my last post, but gained momentum when I just sat down and started writing. So here I am, giving a quick update to say that I'm doin' the writing I avoided for so long.
I could probably crank out one of these books in a couple months if the silly call of the real world would allow such a pace. However, I'll settle for the stumbling blocks that became platforms to learning and growing as both a writer and a person.
I also settled for a loose mapping-out of the remaining events of the book for tonight's progress instead of my usual organic writing method that may not have tied up the loose ends as I would have liked. The result is a concise action-climax and resolution map that will ensure I don't forget the major events. I also managed (or realized) a few surprising tie-ins with the next novel and made more specific notes in my trusty Notes doc. It's like the story decided its course years ago, and I just had to get my butt in gear to record it, with an "I'll be darned" kinda reaction from me.
I just realized that most of the above was disjointed. As I've learned a lot about my brain's particulars regarding my creative process, I'd hate to do it a disservice by being unclear. Consider the following for clarification.
So here's my novel-writing process, in varied POV, for retrospect and fine-tuning, as a compulsive list:
1. Format Volume Word Doc and Create Notes Word Doc.
2. Find and combine all the scattered notes, post-its, napkins, electronic docs, and other stuff into one jumbled mess and sort to make a story. Perhaps write it down longhand in the notebook assigned to such tasks.
3. Compose loose story outline in Volume Word Doc, as, you guessed it, a LIST of events!
4. Type Part and Chapter Headings into Volume Word Doc, separating outline list into logical chunks. Make at least a short note on what will happen in each chapter, if outline isn't specific.
5. Type a few starter Character Names and short descriptions into Notes Doc under a heading by the same name. Also make categories for World Details and Customs, etc, to help keep things in line. All uncategorized notes get dumped at the end of the Notes Doc for sorting or use later.
6. Decide on a starting point. Don't dwell. "Decide" is the operative word. Your protagonist could be staring at a freakin' flower for 10 minutes before you realize he should be doing something. But at least you're writing! Worry about Hitchcock's axiom in the editing process. (...the one about a good story being life with the boring parts removed, I think.)
7. Start writing! Keep a notebook and your Notes Doc open. If you get an itch of an idea that won't happen for a hundred pages, make a note of it. If something from three books down the line occurs to you, type it in. The point here is that, short of true writer's block, you should write when you sit down to write. Just don't let new or different ideas stall you out, or you'll never finish. Redirect that nagging or fleeting idea to a note and get back to what you intended to do in the first place. Flesh out big action or complex scenes as mini-outlines. Save often.
8. Note new character names and relationships in your Notes doc, as well as any customs, mannerisms, world details or other crap you may need to recall later. Nothing grinds writing to a halt like filtering through a hundred pages of writing for a tiny detail that you NEEEEEED before you can finish a sentence. If you can't come up with a new character name on the spot, type a long blank ________ or brackets and a description [So-and-so's sister], and come back to it in the editing process. Save often.
9. Make notes of plot developments either at the bottom of your Volume Word Doc or in a category of your Notes Doc. I keep a lot of plot notes and ideas at the bottom of the actual novel doc because as I write about the event, I cut and paste it into the Notes Doc. It's like checking tasks off a checklist. Save often.
10. Write a book that you would want to read. Don't be afraid of your audience, because you're the only audience right now. Chances are if YOU'RE wondering what will happen next and can't put your own book down, someone else will feel the same way. I feel like such a dork when I think "Wonder what'll happen next?" only to realize that I...have to...write it first. And... save often!
Hmmm... Nice to know the writing style that works for me evolved into a 10-Step-Process where I do most of the steps simultaneously and with little stress. How did I ever finish that whopper of a first novel without it??? (It was 160K words and has since been dismantled for a major rewrite later.) Oh, wait! This process evolved from that drudgery. As I said, stepping stones from stumbling blocks, or something.
Cuddles,
Tamara
I could probably crank out one of these books in a couple months if the silly call of the real world would allow such a pace. However, I'll settle for the stumbling blocks that became platforms to learning and growing as both a writer and a person.
I also settled for a loose mapping-out of the remaining events of the book for tonight's progress instead of my usual organic writing method that may not have tied up the loose ends as I would have liked. The result is a concise action-climax and resolution map that will ensure I don't forget the major events. I also managed (or realized) a few surprising tie-ins with the next novel and made more specific notes in my trusty Notes doc. It's like the story decided its course years ago, and I just had to get my butt in gear to record it, with an "I'll be darned" kinda reaction from me.
I just realized that most of the above was disjointed. As I've learned a lot about my brain's particulars regarding my creative process, I'd hate to do it a disservice by being unclear. Consider the following for clarification.
So here's my novel-writing process, in varied POV, for retrospect and fine-tuning, as a compulsive list:
1. Format Volume Word Doc and Create Notes Word Doc.
2. Find and combine all the scattered notes, post-its, napkins, electronic docs, and other stuff into one jumbled mess and sort to make a story. Perhaps write it down longhand in the notebook assigned to such tasks.
3. Compose loose story outline in Volume Word Doc, as, you guessed it, a LIST of events!
4. Type Part and Chapter Headings into Volume Word Doc, separating outline list into logical chunks. Make at least a short note on what will happen in each chapter, if outline isn't specific.
5. Type a few starter Character Names and short descriptions into Notes Doc under a heading by the same name. Also make categories for World Details and Customs, etc, to help keep things in line. All uncategorized notes get dumped at the end of the Notes Doc for sorting or use later.
6. Decide on a starting point. Don't dwell. "Decide" is the operative word. Your protagonist could be staring at a freakin' flower for 10 minutes before you realize he should be doing something. But at least you're writing! Worry about Hitchcock's axiom in the editing process. (...the one about a good story being life with the boring parts removed, I think.)
7. Start writing! Keep a notebook and your Notes Doc open. If you get an itch of an idea that won't happen for a hundred pages, make a note of it. If something from three books down the line occurs to you, type it in. The point here is that, short of true writer's block, you should write when you sit down to write. Just don't let new or different ideas stall you out, or you'll never finish. Redirect that nagging or fleeting idea to a note and get back to what you intended to do in the first place. Flesh out big action or complex scenes as mini-outlines. Save often.
8. Note new character names and relationships in your Notes doc, as well as any customs, mannerisms, world details or other crap you may need to recall later. Nothing grinds writing to a halt like filtering through a hundred pages of writing for a tiny detail that you NEEEEEED before you can finish a sentence. If you can't come up with a new character name on the spot, type a long blank ________ or brackets and a description [So-and-so's sister], and come back to it in the editing process. Save often.
9. Make notes of plot developments either at the bottom of your Volume Word Doc or in a category of your Notes Doc. I keep a lot of plot notes and ideas at the bottom of the actual novel doc because as I write about the event, I cut and paste it into the Notes Doc. It's like checking tasks off a checklist. Save often.
10. Write a book that you would want to read. Don't be afraid of your audience, because you're the only audience right now. Chances are if YOU'RE wondering what will happen next and can't put your own book down, someone else will feel the same way. I feel like such a dork when I think "Wonder what'll happen next?" only to realize that I...have to...write it first. And... save often!
Hmmm... Nice to know the writing style that works for me evolved into a 10-Step-Process where I do most of the steps simultaneously and with little stress. How did I ever finish that whopper of a first novel without it??? (It was 160K words and has since been dismantled for a major rewrite later.) Oh, wait! This process evolved from that drudgery. As I said, stepping stones from stumbling blocks, or something.
Cuddles,
Tamara
Labels:
Layout,
Novel,
PROCESS,
What Makes A Good Story,
Writing
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